lol when i was dating guys this white dude was like “i know this is the opposite of what most men think, but i actually find black women very beautiful”
like lol stop
i don’t need anyone complimenting me only because they pity my role of beauty
i’m a black woman, not a fucking damsel in distress who sits around waiting to attract white men (or any men for that matter)
lol and he was acting like his compliment was just going to enchant me and make my day lol no
sorry if this has been posted before and I’m late to the party, but Steven Universe confirmed as being purposefully designed to be racially ambiguous/mixed!
(thank u baby jesus i knew that boy couldnt be completely white)
Flappers shaming Miley Cyrus.
Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.
This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.
mixed race harry potter
black hermione granger
gay remus lupin
what if we took the minority metaphors and made them explicit instead of slappin them on straight white people what if
In the 1930s, men’s nipples were just as provocative, shameful and taboo as women’s are now, and men were protesting in much the same way. In 1930, four men went topless to Coney Island and were arrested. In 1935, a flash mob of topless men descended upon Atlantic City, 42 of whom were arrested. Men fought and they were heard, changing not only laws but social consciousness. And by 1936, men’s bare chests were accepted as the norm.
So why is it that 80 years later women can’t seem to achieve the same for their chests? Why can’t a mother proudly breastfeed her child in public without feeling sexualized? why is a 17-year-old girl being asked to leave her own prom because a group of fathers find her too provocative?
[…] I am not trying to argue for mandatory toplessness, or even bralessness. What I am arguing for is a woman’s right to choose how she represents her body — and to make that choice based on personal desire and not a fear of how people will react to her or how society will judge her. No woman should be made to feel ashamed of her body.
Game: A Dark Room
A Dark Room is probably the best game I’ve played all year, and its simplicity hides a subtle and affecting story. Part of the game is the discovery process as the game slowly reveals itself, so it’s difficult to describe without spoiling things. If you’re prepared for the slow-ish pace, and an interface built from minimal text and progress bars, you will discover a very rewarding game.
There are a few similarities between A Dark Room and Blackbar. They both have a minimal interface and memorable storytelling, but unlike Blackbar, A Dark Room sports richer gameplay that allows for multiple play-throughs using different techniques and play styles if you’re up for that sort of thing.
The game has been in the top 10 paid games list for quite some time now, and has been featured by Apple a number of places. It’s amazing to see something so unusual ranking next to big franchise games like Tetris, or LEGO® Lord of the Rings.
A prequel, The Ensign, was just released a few days ago. I have not had a chance to play it yet, but I’ll write about it here when I have.
Also, if you’re at all interested in how games are created, I quite enjoyed the audio “making of” clips that you unlock when you complete the game.
If you defend a guy for his nudes getting leaked (“aw it’s okay we still love you1!1!1!!!”) but then shame a girl for her nudes getting leaked (“what a slut she shouldn’t have taken them in the first place!!1!1!!!”) I hope you step on many lego pieces at once.